Lyrics:
"Give Me All Your Luvin'"
(feat. Nicki Minaj & M.I.A.)
[Madonna]
L-U-V Madonna
Y-O-U you wanna
I see you coming and I don't wanna know your name
L-U-V Madonna
I see you coming and you're gonna have to change the game
Y-O-U you wanna
Would you like to try?
Give me a reason why
Give me all that you got
Maybe you'll do fine
As long as you don't lie to me
And pretend to be what you're not
[Chorus]
Don't play the stupid game
Cause I'm a different kind of girl
Every record sounds the same
You've got to step into my world
Give me all your love and give me your love
Give me all your love today
Give me all your love and give me your love
Let's forget about time
And dance our lives away
[Madonna]
L-U-V Madonna
Y-O-U you wanna
Keep trying don't give up, it's if you want it bad enough
L-U-V Madonna
It's right in front of you, now tell me what you're thinking of
Y-O-U you wanna
In another place, at a different time
You can be my lucky star
We can drink some wine
Burgundy is fine
Let's drink the bottle every drop
[Chorus]
Don't play the stupid game
Cause I'm a different kind of girl
Every record sounds the same
You've got to step into my world
Give me all your love and give me your love
Give me all your love today
Give me all your love and give me your love
Let's forget about time
And dance our lives away
[Nicki Minaj]
Give me all your love boy
You could be my boy, you could be my boy toy
In the nick of time I could say a sicker rhyme
Cause its time for change like a nickel and a dime
I'm Roman, I'm a barbarian, I'm Conan
You were sleeping on me you were dozin'
Now move, I'm goin' in!!
[Bridge]
You have all the L-U-V
I gave you everything you need
Now it's up to y-o-u
Are you the one, shall we proceed?
[M.I.A.]
Sw-sw-swag shh
No one gives you this
Supersonic bionic, uranium
So I break ‘em off tricks
Lets pray that it sticks
I'ma say this once, yeah I don't give a shit
M-a-d don't make me
l-u-v it's time for
y-o-u it's up to
l-u-v i want your
[Chorus]
Don't play the stupid game
Cause I'm a different kind of girl
Every record sounds the same
You've gotta step into my world
Give me all your love and give me your love
(L-U-V- Madonna)
Give me all your love and give me your love
(Y-O-U You wanna)
Give me all your love and give me your love
Give me all your love today
Give me all your love and give me your love
Let's forget about time
And dance our lives away
Bio:
After a star reaches a certain point, it's easy to forget what they
became famous for and concentrate solely on their persona. Madonna is
such a star. Madonna rocketed to stardom so quickly in 1984 that it
obscured most of her musical virtues. Appreciating her music became even
more difficult as the decade wore on, as discussing her lifestyle
became more common than discussing her music. However, one of Madonna's
greatest achievements is how she manipulated the media and the public
with her music, her videos, her publicity, and her sexuality. Arguably,
Madonna was the first female pop star to have complete control of her
music and image.
Madonna moved from her native Michigan to New
York in 1977, with dreams of becoming a ballet dancer. She studied with
choreographer Alvin Ailey and modeled. In 1979, she became part of the
Patrick Hernandez Revue, a disco outfit that had the hit "Born to Be
Alive." She traveled to Paris with Hernandez; it was there that she met
Dan Gilroy, who would soon become her boyfriend. Upon returning to New
York, the pair formed the Breakfast Club, a pop/dance group. Madonna
originally played drums for the band, but she soon became the lead
singer. In 1980, she left the band and formed Emmy with her former
boyfriend, drummer Stephen Bray. Soon, Bray and Madonna broke off from
the group and began working on some dance/disco-oriented tracks. A demo
tape of these tracks worked its way to Mark Kamins, a New York-based
DJ/producer. Kamins directed the tape to Sire Records, which signed the
singer in 1982.
Kamins produced Madonna's first single,
"Everybody," which became a club and dance hit at the end of 1982; her
second single, 1983's "Physical Attraction," was another club hit. In
June of 1983, she had her third club hit with the bubbly "Holiday,"
which was written by Jellybean Benitez. Madonna's self-titled debut
album was released in September of 1983; "Holiday" became her first Top
40 hit the following month. "Borderline" became her first Top Ten hit in
March of 1984, beginning a remarkable string of 17 consecutive Top Ten
hits. While "Lucky Star" was climbing to number four, Madonna began
working on her first starring role in a feature film, Susan Seidelman's
Desperately Seeking Susan.
Madonna's second album, the Niles
Rodgers-produced Like a Virgin, was released at the end of 1984. The
title track hit number one in December, staying at the top of the charts
for six weeks; it was the start of a whirlwind year for the singer.
During 1985, Madonna became an international celebrity, selling millions
of records on the strength of her stylish, sexy videos and forceful
personality. After "Material Girl" became a number two hit in March,
Madonna began her first tour, supported by the Beastie Boys. "Crazy for
You" became her second number one single in May. Desperately Seeking
Susan was released in July, becoming a box office hit; it also prompted a
planned video release of A Certain Sacrifice, a low-budget erotic drama
she filmed in 1979. A Certain Sacrifice wasn't the only embarrassing
skeleton in the closet dragged into the light during the summer of 1985
-- both Playboy and Penthouse published nude photos of Madonna that she
posed for in 1977. Nevertheless, her popularity continued unabated, with
thousands of teenage girls adopting her sexy appearance, being dubbed
"Madonna wannabes." In August, she married actor Sean Penn; the couple
had a rocky marriage that ended in 1989.
Madonna began
collaborating with Patrick Leonard at the beginning of 1986; Leonard
would co-write most of her biggest hits in the '80s, including "Live to
Tell," which hit number one in June of 1986. A more ambitious and
accomplished record than her two previous albums, True Blue was released
the following month, to both more massive commercial success (it was a
number one in both the U.S. and the U.K., selling over five million
copies in America alone) and critical acclaim. "Papa Don't Preach"
became her fourth number one hit in the U.S. While her musical career
was thriving, her film career took a savage hit with the November
release of Shanghai Surprise. Starring Madonna and Sean Penn, the comedy
received terrible reviews, which translated into disastrous box office
returns.
At the beginning of 1987, she had her fifth number one
single with "Open Your Heart," the third number one from True Blue
alone. The title cut from the soundtrack of her third feature film,
Who's That Girl?, was another chart-topping hit, although the film
itself was another box office bomb. 1988 was a relatively quiet year for
Madonna as she spent the first half of the year acting in David Mamet's
Speed the Plow on Broadway. In the meantime, she released the remix
album You Can Dance. After withdrawing the divorce papers she filed at
the beginning of 1988, she divorced Penn at the beginning of 1989.
Like a Prayer, released in the spring of 1989, was her most ambitious
and far-reaching album, incorporating elements of pop, rock, and dance.
It was another number one hit and launched the number one title track as
well as "Express Yourself," "Cherish," and "Keep It Together," three
more Top Ten hits. In April 1990, she began her massive Blonde Ambition
tour, which ran throughout the entire year. "Vogue" became a number one
hit in May, setting the stage for her co-starring role in Warren
Beatty's Dick Tracy; it was her most successful film appearance since
Desperately Seeking Susan. Madonna released a greatest-hits album, The
Immaculate Collection, at the end of the year. It featured two new
songs, including the number one single "Justify My Love," which sparked
another controversy with its sexy video; the second new song, "Rescue
Me," became the highest-debuting single by a female artist in U.S. chart
history, entering the charts at number 15. Truth or Dare, a documentary
of the Blonde Ambition tour, was released to positive reviews and
strong ticket sales during the spring of 1991.
Madonna returned
to the charts in the summer of 1992 with the number one "This Used to Be
My Playground," a single featured in the film A League of Their Own,
which featured the singer in a small part. Later that year, Madonna
released Sex, an expensive, steel-bound soft-core pornographic book that
featured hundreds of erotic photographs of herself, several models, and
other celebrities -- including Isabella Rossellini, Big Daddy Kane,
Naomi Campbell, and Vanilla Ice -- as well as selected prose. Sex
received scathing reviews and enormous negative publicity, yet that
didn't stop the accompanying album, Erotica, from selling over two
million copies. Bedtime Stories, released two years later, was a more
subdued affair than Erotica. Initially, it didn't chart as impressively,
prompting some critics to label her a has-been, yet the album spawned
her biggest hit, "Take a Bow," which spent seven weeks at number one. It
also featured the Björk-penned "Bedtime Stories," which became her
first single not to make the Top 40; its follow-up, "Human Nature," also
failed to crack the Top 40. Nevertheless, Bedtime Stories marked her
seventh album to go multi-platinum.
Beginning in 1995, Madonna
began one of her most subtle image makeovers as she lobbied for the
title role in the film adaptation of Andrew Lloyd Webber's Evita.
Backing away from the overt sexuality of Erotica and Bedtime Stories,
Madonna recast herself as an upscale sophisticate, and the compilation
Something to Remember fit into the plan nicely. Released in the fall of
1995, around the same time she won the coveted role of Evita Peron, the
album was comprised entirely of ballads, designed to appeal to the
mature audience that would also be the target of Evita. As the filming
completed, Madonna announced she was pregnant and her daughter, Lourdes,
was born late in 1996, just as Evita was scheduled for release. The
movie was greeted with generally positive reviews and Madonna began a
campaign for an Oscar nomination that resulted in her winning the Golden
Globe for Best Actress (Musical or Comedy), but not the coveted Academy
Award nomination. The soundtrack for Evita, however, was a modest hit,
with a dance remix of "Don't Cry for Me Argentina" and the newly written
"You Must Love Me" both becoming hits.
During 1997, she worked
with producer William Orbit on her first album of new material since
1994's Bedtime Stories. The resulting record, Ray of Light, was heavily
influenced by electronica, techno, and trip-hop, thereby updating her
classic dance-pop sound for the late '90s. Ray of Light received
uniformly excellent reviews upon its March 1998 release and debuted at
number two on the charts. Within a month, the record was shaping up to
be her biggest album since Like a Prayer. Two years later she returned
with Music, which reunited her with Orbit and also featured production
work from Mark "Spike" Stent and Mirwais, a French electro-pop
producer/musician in the vein of Daft Punk and Air.
The year
2000 also saw the birth of Madonna's second child, Rocco, whom she had
with filmmaker Guy Ritchie; the two married at the very end of the year.
With Ritchie as director and Madonna as star, the pair released a
remake of the film Swept Away in 2002. It tanked at the box office,
failing to crack seven digits, making it one of the least profitable
films of the year. Her sober 2003 album, American Life, fared slightly
better but was hardly a huge success. That same year also saw the
release of Madonna's successful children's book, The English Roses,
which was followed by several more novels in future years. Confessions
on a Dance Floor marked her return to music, specifically to the
dance-oriented material that had made her a star. Released in late 2005,
it topped the Billboard charts and was accompanied by a worldwide tour
in 2006, the same year that I'm Going to Tell You a Secret, a CD/DVD
made during her Re-Invention Tour, came out. In 2007, Madonna released
another CD/DVD, Confessions Tour, this time chronicling her
controversial tour of the same name. She then inched closer to the
completion of her Warner Bros contract with 2008's Hard Candy, an
R&B album whose first single, "4 Minutes", topped the singles charts
in several countries.
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